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Use of song as a storytelling device from "summary" of The Function of Song in Contemporary British Drama by Elizabeth Hale Winkler

The integration of song into contemporary British drama serves as a powerful tool for narrative storytelling. By incorporating music and lyrics into the dialogue and action of a play, playwrights are able to convey emotions, themes, and character development in a unique and engaging way. Songs have the ability to evoke a wide range of emotions in the audience, from joy and nostalgia to sorrow and longing, adding depth and complexity to the overall storytelling experience. In many cases, songs are used as a form of expression for characters who may struggle to articulate their thoughts and feelings through traditional dialogue. Through music, characters can reveal their innermost thoughts and desires, providing the audience with insight into their motivations and struggles. This use of song as a storytelling device allows for a deeper connection between the audience and the characters on stage, creating a more immersive and emotionally resonant theatrical experience. Furthermore, songs can serve as a means of advancing the plot and enhancing the thematic elements of a play. By weaving music into the fabric of the narrative, playwrights can create a more cohesive and dynamic storytelling experience. Songs can foreshadow future events, provide commentary on the action, or offer insight into the larger themes of the play. This integration of music and lyrics into the dramatic structure adds layers of meaning and complexity to the overall storytelling, enriching the audience's understanding and appreciation of the work.
  1. The use of song as a storytelling device in contemporary British drama is a powerful and effective tool for conveying emotion, developing character, advancing the plot, and enhancing thematic elements. By incorporating music and lyrics into their plays, playwrights are able to create a more engaging and immersive theatrical experience for audiences, ultimately enriching the overall storytelling and dramatic impact of their work.
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The Function of Song in Contemporary British Drama

Elizabeth Hale Winkler

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