Framing scenes with musical motifs from "summary" of The Function of Song in Contemporary British Drama by Elizabeth Hale Winkler
One way that contemporary British dramatists have utilized the power of music in their work is by incorporating musical motifs to frame scenes. This technique involves using recurring musical themes or elements to establish a particular mood or atmosphere at the beginning and end of a scene. By repeating a specific musical motif at the start and end of a scene, playwrights can create a sense of unity and coherence within the dramatic structure. This technique can help to signal to the audience that a new scene is beginning, providing a clear transition between different narrative moments. In addition to signaling scene changes, framing scenes with musical motifs can also serve to underline key themes or emotional moments within the play. By associating a particular melody or musical element with a specific character, relationship, or plot development, dramatists can enhance the impact of these elements on the audience. Furthermore, the use of musical motifs to frame scenes can contribute to the overall aesthetic and emotional impact of a play. By carefully selecting and manipulating musical elements, playwrights can create a rich sensory experience for the audience, enhancing their engagement with the narrative and characters.- The technique of framing scenes with musical motifs provides contemporary British dramatists with a powerful tool for shaping the dramatic structure, emphasizing key themes and moments, and engaging the audience on a deeper emotional level. Through the strategic use of music, playwrights can create a cohesive and immersive theatrical experience that resonates with audiences long after the final curtain falls.
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