The decline of tragedy is linked to the rise of rationalism and moralism from "summary" of The Birth of Tragedy by Friedrich Nietzsche
The waning of tragic art can be traced to the ascendancy of rationalism and moralism in society. As reason gained prominence, the chaotic and irrational elements that characterized tragedy were gradually pushed aside. The emphasis on logic and order left little room for the wild and untamed aspects of human nature that tragedy sought to explore. Furthermore, the rise of moralism brought with it a demand for clear-cut distinctions between right and wrong, good and evil. Tragedy, with its exploration of ambiguous moral dilemmas and the complexities of human behavior, began to lose its appeal in a culture that sought easy answers and moral absolutes. The shades of grey that tragedy reveled in were no match for the black and white of moral certainty. As rationalism and moralism tightened their grip on society, the cathartic power of tragedy diminished. The emotional release that tragedy provided, through its depiction of suffering and redemption, was seen as too messy and unsettling in a world that valued reason and moral rectitude above all else. The comforting illusions of rationalism and moralism could not coexist with the harsh truths and unsettling questions that tragedy laid bare. In this new cultural landscape, tragedy was relegated to the sidelines, dismissed as a relic of a bygone era. The decline of tragedy was not merely a matter of changing tastes or artistic trends, but a reflection of deeper shifts in the values and beliefs of society. As rationalism and moralism continued to hold sway, the once vibrant and vital art of tragedy faded into obscurity, its profound insights and profound insights into the human condition lost to a world that had little use for such things.
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