The idea of "critical regionalism" emerged as a way to reconcile modernism with local traditions from "summary" of Modern Architecture in Latin America by Luis E. Carranza,Fernando Luiz Lara
Critical regionalism was proposed as a means of addressing the tension between modernism and local traditions in architecture. This concept emerged as a response to the homogenizing effects of globalization and the challenges faced by architects seeking to create buildings that were both modern and rooted in their specific cultural contexts. Architects advocating for critical regionalism argued that it was possible to draw inspiration from global modernist trends while also incorporating elements of local culture, climate, and materials. By doing so, they believed that buildings could be more authentic expressions of their time and place, rather than mere imitations of Western architectural styles. This approach sought to create a dialogue between modernity and tradition, rather than simply rejecting one in favor of the other. By incorporating elements of local vernacular architecture, such as traditional building techniques or decorative motifs, architects were able to create buildings that were both innovative and culturally resonant. In Latin America, where a rich architectural heritage coexisted with the pressures of modernization, critical regionalism took on particular significance. Architects in the region sought to create a new architectural language that reflected their unique social, political, and cultural contexts, while also engaging with global architectural debates. Through a synthesis of modernist principles and local traditions, architects in Latin America were able to create a distinctive architectural style that was at once contemporary and rooted in the region's history. This approach allowed them to navigate the complexities of architectural practice in a rapidly changing world, while also asserting the importance of place and identity in the built environment.
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