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Criminality is often linked to perceptions of masculinity and femininity from "summary" of Gender and Criminality in Bangla Crime Narratives by Shampa Roy

In Bangla crime narratives, the portrayal of criminality is often intertwined with notions of masculinity and femininity. The construction of criminal characters is heavily influenced by societal expectations and stereotypes surrounding gender roles. Masculinity is often associated with traits such as aggression, dominance, and power. Male criminals in Bangla crime narratives are typically depicted as strong, fearless, and assertive. They are portrayed as the ones who take charge, make decisions, and exhibit a sense of control over their surroundings. These characteristics are seen as markers of masculinity and are often glorified in the context of criminal behaviour. On the other hand, femininity is linked to traits such as passivity, emotional vulnerability, and dependence. Female criminals in Bangla crime narratives are often portrayed as manipulative, seductive, and cunning. They are shown to use their feminine wiles to achieve their criminal objectives, relying on deception and charm rather than brute force. This portrayal reinforces the stereotype of women as being inherently deceitful and conniving. The association of criminality with perceptions of masculinity and femininity serves to reinforce traditional gender norms and expectations. It reflects and perpetuates the idea that men are naturally inclined towards aggression and violence, while women are more likely to resort to manipulation and deception. This gendered construction of criminality not only shapes the portrayal of characters in Bangla crime narratives but also influences the way in which society perceives and responds to crime in the real world. By examining how gender norms intersect with criminal behaviour in these narratives, we can gain valuable insights into the ways in which gender shapes our understanding of crime and justice.
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    Gender and Criminality in Bangla Crime Narratives

    Shampa Roy

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