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Algorithms creating art from "summary" of Automate This by Christopher Steiner

The concept of algorithms creating art may seem paradoxical or even sacrilegious to some. After all, art is often seen as the ultimate expression of human creativity and emotion, something that can't be replicated or replaced by a cold, calculating machine. But the truth is that algorithms have been creating art for years now, and they're getting better at it every day. One of the most famous examples of algorithms creating art is the work of composer David Cope and his program EMI (Experiments in Musical Intelligence). Cope fed EMI thousands of musical compositions, from Bach to the Beatles, and the program analyzed the patterns and structures in the music. Using this data, EMI was able to compose its own original pieces that sounded remarkably like the work of human composers. Another example of algorithms creating art is the work of filmmaker Benjamin Grosser and his program Interactive Machine Learning for Object Recognition. Grosser's program analyzed over 1,000 Hollywood films, identifying common tropes and visual motifs. Using this data, the program was able to generate its own film sequences that felt like they had been lifted straight from a Hollywood blockbuster. Of course, algorithms creating art is not without controversy. Some critics argue that art created by algorithms lacks the emotional depth and nuance of human-created art. They claim that algorithms can only mimic existing styles and patterns, rather than truly inventing something new and original. But proponents of algorithms creating art argue that these programs are simply another tool in the artist's toolkit, allowing for new forms of creative expression and exploration. They point out that algorithms can help artists break out of creative ruts, inspiring them to try new techniques and approaches that they may never have considered otherwise. In the end, the concept of algorithms creating art challenges our traditional notions of creativity and authorship. It forces us to consider the role of technology in the creative process and to question what it means to be an artist in the digital age. Love it or hate it, algorithms creating art is here to stay, and it's only a matter of time before we see even more groundbreaking work emerge from this unlikely marriage of art and technology.
    oter

    Automate This

    Christopher Steiner

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