Interpretation is always situated and contextual from "summary" of Art and Answerability by M. M. Bakhtin
Interpretation is always situated and contextual. The meaning of a work of art is always influenced by the specific cultural, social, and historical context in which it is created and received. This means that our understanding of a work of art is never neutral or objective; it is always shaped by the particular circumstances in which we encounter it. Bakhtin argues that interpretation is also shaped by the specific relationship between the artist and the audience. The artist creates a work of art in response to a particular set of social and cultural circumstances, and the audience interprets the work in light of their own experiences and beliefs. This means that the meaning of a work of art is always co-created by both the artist and the audience, and is constantly changing and evolving as it is interpreted in different contexts. Furthermore, Bakhtin suggests that interpretation is always dialogical. This means that our understanding of a work of art is always influenced by the other texts and cultural forms that surround it. When we interpret a work of art, we do not do so in isolation; instead, we engage in a dialogue with other works of art, other artists, and other audiences. This dialogical relationship shapes the meaning of the work and enriches our interpretation of it. Finally, Bakhtin argues that interpretation is always ethical. This means that our interpretation of a work of art is always influenced by our own moral and political beliefs. The meaning of a work of art is not separate from the values and beliefs of the interpreter; instead, it is deeply entwined with them. This means that our interpretation of a work of art is always a reflection of our own ethical commitments, and that we have a responsibility to interpret works of art in a way that is respectful and ethical.
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