Rasa as the essence of Indian art from "summary" of A Modern Introduction to Indian Aesthetic Theory by Surendra Sheodas Barlingay
Rasa occupies a central position in Indian aesthetic theory, serving as the essence of Indian art. It is a concept that has been debated and discussed by scholars and practitioners for centuries, reflecting the deep-rooted significance it holds in the Indian artistic tradition. Rasa can be understood as the aesthetic flavor or essence that is evoked and experienced by the audience when they engage with a work of art. This experience goes beyond mere intellectual understanding, tapping into the realm of emotions and feelings. The concept of Rasa is based on the idea that art has the power to evoke a range of emotions and sentiments in the audience. These emotions are not arbitrary or random but are carefully crafted and structured by the artist to create a specific aesthetic experience. According to Indian aesthetic theory, there are nine primary Rasas that correspond to different emotional states, such as love, anger, joy, and sadness. Each Rasa is associated with a particular mental state and is evoked through the use of vario...
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